Linsoul TANGZU Wan’er S.G HiFi 10mm Dynamic Driver PET Diaphragm in-Ear Earphone with Ergonomic Shape, Detachable 2Pin OFC Braided Cable for Audiophile Musician DJ Stage (Black, TANGZU Wan’er S.G)

Product Information

I'm trying my best not to hop blindfolded here on the hype train but man it's chugging. The wan'er is neutral and smooth. it plays every sound that's thrown at it. Plays it well. What more can you ask for? Accessories are rather generous, and include most beautiful cleaning clothes, a very nice idea of Tangzu

Just like Yuan Li and Zetian Wu, despite being rated 20 Ohm with 107dB of sensitivity. Wan'er S.G scales really well with power. Yes is does sound already good directly connected to my Sony Xperia 1 iV, the output being rich and highly musical. Subjecting Wan'er S.G to higher powered partners will help to improve some technical aspects like stronger imaging and crisper note weight. Wan'er S.G seems to work really amazing with Cayin RU6, CEntrance DACport HD and Ovidius B1 - with technical element being heightened audibly. Worth to mention that Wan'er S.G remained stable with all the power fed into it without any hint of getting shouty. Moondrop Chu : Chu has less bass quantity, but has a bit more punchy bass, mids on Chu is more forward and lean sounding, treble on Chu has more extension and more sparkle, for technical capabilities, Chu is better on all aspects compared to the Wan'er.

Disclaimers​

Tangzu Audio (previously known as Tforce Audio) names their IEMs after famous historical figures of ancient China; storied characters such as Li Shimin, Li Yuan and Wu Zetian are all IEMs gracing the Tangzu Audio stable. Technicalities and resolution are better on the CHU, but there is more sibilance than on the Wan'er, and the timbre is less natural too.

Smartphone Daily Use: the sets' timbre is natural so all voice calls, interface sounds and video reproductions will be accurate. Apex Legends: Sound of footsteps and gunfire can be pinpointed in the correct direction but hard to pinpoint it exactly.

Registered Airmail service 

for this IEMs I recommend you to try eartips rolling since it has noticeable effect on how it sounds. If it is plastic sealed when you get it, it should remain plastic sealed. Some types of goods such as CIEMs and custom cables cannot be returned.

The shells are light and ergonomic, and I experienced no discomfort with long listening sessions. Tangzu says the Wan’er housing was designed based on accumulated data from many ears, and perhaps this is no hyperbole. There’s a concha protrusion to add additional grip during usage. Planars, multi BAs, hybrids and other driver types were left out, due to the different transducers having their own pros and cons. The Tangzu WA NER is a surprisingly well-tuned, V-shaped iem with an agreeable slightly warm tonality but middling technicalities. It could deserve a bit more sheen. Overall a reasonably pleasant listening experience despite its low price.Timbre is slightly less natural on the Zero, and the Zero may be more uncomfortable due to perpendicular edges in the shells. The Cadenza, in contrast, have better timbral accuracy and fit very well. Vs. HZSound Heart Mirror BASS : is more focused on the Midbass area, it has noticeable boosted quantity, but still on the allrounder category (bassheads probably won't be satisfied), bass has nice punch, also speedy enough for double pedal and metal music, tho i notice some masking effect / bass bleeds to the midrange. The term “cadenza” (kəˈdɛnzə), as defined by the Merriam-Webster dictionary, refers to the following: Timbral and tonal characteristics of Wan'er S.G being highly organic and musical. End to end from lower frequency to the uppermost region, it is faithfully natural sounding and realistic. The only caveat I would complain would be the strength and depth of timbre imaging which can appear a bit fuzzy (due to preferences for overall smoothness). It is neither warm nor it is bright - just about right. The sort of natural tone and timbre to be heard from the likes of Shure KSE1500, Kinera Idun Golden or Sennheiser HD600 - of course the said devices being highly superior to the actual implementation - but you get the idea, Wan'er S.G hovers close to those sort of sound. It is non-offensive, smooth and flowing. No hint of being digital-ish or metallic - in my book, this is highly favorable to my taste subjectively.

However you will be trading off Wan'ers' most precious perks that you won't find on the Zero: the musicality and smoothness of the tuning, becoming way less fatiguing than the Zero. You can throw anything at it and it will sound engaging, rich sounding and fun whilst not compromising a natural timbre and correctness. This allied to a comfortable fit, the Wan'er wins in terms of versatility and qualifies better for an all rounder daily driver. Calm down treble sensitive fellows, this one is a safe haven for you. Now for the treble enthusiasts, this set might not be your cup of tea. For me this is the least interesting part of the set, but on the other hand it's the tame treble that makes it a good all-rounder and a suitable introduction to HiFi. Although, don't expect crisp details in this region. Tangzu Wan’er S.Gs are exceptionally tuned IEMs with satisfying bass, lovely mids and vocals, both male and female and decent treble. I’d say they are a product of Tuning Masterclass. However, like everything in the world, they are not perfect. Let’s take a look. Bass great review! i have shortlisted and confused in between Tangzu Wan'er and Truthear Hola. please help in choosing my gear.

Build, Comfort and Trivia​

Any item returned must be complete with all accessories, hardware, manuals, or instructions, and in the same "new" condition as when it was when shipped to you. Please send us photos or videos of it. With every week bringing a new release, many budget contenders have their 15 minutes of fame and are then forgotten after a few weeks. The Wan'er, in contrast, is quite a nice addition to the cut-throat ultra-budget CHIFI market, as it boasts nice aesthetics, a comfortable fit, generous accessories and an agreeable tonality and a very natural timbre. A parenthetical flourish in an aria or other solo piece, commonly just before a final or important cadence.