The Norton Anthology of Theory and Criticism 2e

Product Information

If you are looking for additional help, try the EasyBib citation generator. Popular Citation Styles THE POSTMODERN Jean Baudrillard 1729 Barbara Christian 2255 Gilles Deleuze and Felix Guattari Donna Haraway 2266 bell hooks 2475 Fredric Jameson 1932 Jean-Fran~ois Lyotard 1609 Gerald Vizenor 1975 REPRESENTATION AND REALISM Aristotle 86 Pierre Corneille 363 Selections from 1900 to the present (130 in total) were chosen to best reflect current thinking about the most influential theoretical texts and thinkers of that period. Most of the anthology’s 48 NEW pieces by 28 NEW authors come from this crucial period. Pieces such as Alondra Nelson’s “AfroFuturism: Past-Future Visions” and Ian Bogost’s “The Rhetoric of Video Games” represent recent currents in contemporary theory, and NEW selections by Derrida, Foucault, Fanon, Morrison and others emphasise themes and topics that are important in today’s classroom. William E. Cain is the Mary Jewett Gaiser Professor of English at Wellesley College. A scholar of American literature and American literary criticism, Professor Cain is the author of The Crisis in Criticism: Theory, Literature, and Reform in English Studies (Johns Hopkins UP), F. O. Matthiessen and the Politics of Criticism (U of Wisconsin Press), and Literary Criticism, 1900-1950: The Cambridge History of American Literature (Cambridge UP) as well as the editor or co-editor of several college textbooks, including An Introduction to Literature (Longman), American Literature (Penguin), The Little, Brown Reader (Longman), and Literature for Composition (Longman). THE CANON/TRADITION Matthew Arnold 802 Harold Bloom 1794 T. S.Eliot 1088 Gerald Graff 2056 Hugh of St. Victor 201 Ngugi wa Thiong'o, Taban Lo Liyong, Henry Owuot-Anyumba Richard Ohmann 1877 Percy Bysshe Shelley 695 Edward Young 426 DEFENSES OF CRITICISM Matthew Arnold 802 Homi K. Bhabha 2377 Cleanth Brooks 1350 Kenneth Burke 1269 Barbara Christian 2255 Paul de Man 1509 Stanley E. Fish 2067 Alexander Pope 438 John Crowe Ransom 1105 Barbara Herrnstein Smith 1910

Copyright C> 200 I by W. W. Norton & Company, Inc. All rights reserved. Printed in the United States of America. First Edition. Since this page cannot legibly accommodate all the copyright notices, pages 2553-2559 constitute an extension of the copyright page. The text of this book is composed in Fairfield Medium with the display set in Bernhard Modern. Composition by Binghamton Valley Composition. ManufAccess-restricted-item true Addeddate 2013-08-09 18:43:06 Bookplateleaf 0004 Boxid IA1178206 Boxid_2 CH123801 City New York, NY [u.a.] Donor

CLEANTH BROOKS (1906-1994) 1350 The Well Wrought Urn 1353 Chapter 11. The Heresy of Paraphrase, The Formalist Critics 1366 T. S. ELIOT (1888-1965) 1088 Tradition and the Individual Talent The Metaphysical Poets 1098 JOHN CROWE RANSOM (1888-1974) Criticism, Inc. 1108 MARTIN HEIDEGGER (1889-1976) Language 1121 SIGMUND FREUD (1856-1939) 913 The Interpretation of Dreams 919 From Chapter V. The Material and Sources of Dreams From Chapter VI. The Dream-Work .923

For Instructors

GAY AND LESBIAN CRITICISM AND QUEER THEORY Gloria Anzaldlla 2208 Judith Butler 2485 Adrienne Rich 1759 Eve Kosofsky Sedgwick 2432 Barbara Smith 2299 Monique Wittig 2012 Bonnie Zimmerman 2338 MARX]SM Louis Althusser 1476 Walter Benjamin 1163 Antonio Gramsci 1135 Stuart Hall 1895 Donna Haraway 2266 Dick Hebdige 2445 Max Horkheimer and Theodor W. Adorno Fredric Jameson 1932 Gyorgy Lukacs 1030 Gayatri Chakravorty Spivak 2 I 93 Leon Trotsky 1002 Raymond Williams 1 565 Edmund Wilson 1240 NEW HISTORICISM Michel Foucault 16 15 Stephen Greenblatt 2250 Steven Knapp and Walter Benn Michaels Hayden White 1709 Here are The Norton anthology of theory and criticism citations for 14 popular citation styles including Turabian style, the American Medical Association (AMA) style, the Council of Science Editors (CSE) style, IEEE, and more. Citation Style FRIEDRICH NIETZSCHE (1844-1900) 870 On Truth and ~ying in a Non-Mora:l Sense 874 From The Birth of Tragedy 884 OSCAR WILDE (1854-1900) 895 Preface to The PiCture of Dorian Gray From The Critic as Artist . 900 Introduction to Theory and CriticisIn In recent decades, theory and critic;:ism have grown ever more prominent in literary and cultural studies, treated less as aids to the study of literature and culture than as ends in themselves. As Jonathan Culler notes in Framing the Sign: Criticism and Its Institutions (1988), "Formerly tl:te history of criticism was part of the histpry of literature (the storY of changing conceptions of literature a.dvanced by great writers), but ... now the hist~ry of literature is part of the history of criticism." This dramatic reversal, which occurred gradually over the course of the twentieth century, means that the history of criticism and theory increasingly proVide!,! the general framework for stuslying literature and culture in 'colleges and universities. Some literary scholars and writers deplore' the shift toward theory, regarding it as a turn away from literature and its central .concerns. These "antitheorists," as they are called, advocate a return to studying literature for itself-yet however refreshing this position may at first appear, it has problems: it itself presupposes a definition of literature, and it p,romotes a certain way of i;crutinizing literature ("for itself"). In other words, the anti theory' position turns out to rely on unexamined-and debatable-theories of literature and criticism. What theory demonstrates, in this case and. in others, isth~t there is no position free of.theory, not even the one called "common sense." . The history of theory and criticism from ancient times to the present is one of contending ideas and opinions about such apparently self-evident topics as "literature" and "interpretation." Historically, interpretation has been '£poceptualized in a number of different ways: as, for example, objective textual analysis or moral assessment or emotional response or literary evaluation or cultural critique. The same is also true of literature, which has been defined in terms of its ability to represent reality; or to express' its author's inner being, or to teach morality, or to cleanse olit emotions, to name only a few common but conflicting formulations. The history of criticism and theory contains many such arguments. Taken together, the antitheorists themselves adhere to very different; often contradictory understandings of literature and interpretation. Such~conflict points to the vitality, the excitement, and the complexity of the field of theory and criticism, whose expansive universe of perennial issues and problems engages ideas not only about literature, language, interpretation, genre, style, meaning, and tradition but also about subjectivity, ethnicity, race, gender, class, culture, nationality, ideology, institutions, and historical periods. In this anthology, students new to literary and cultural studies will discover a wide-ranging interdisCiplinary and com-

GAYATRI CHAKRAVORTY SPIVAK (b. 1942) A Critique of Postcolonial Reason 2197 From Chapter 3. History 2197 [Can the Subaltern Speak?] 2197 STUART MOULTI-IROP (b. 1957) 2502 You Say You Want a Revolution? Hypertext and the Laws of Media 2504 LENNARD J. DAVIS (b. 1949) 2398 Enforcing Normalcy: Disability, Deafness, and the Body 2400 _ .. From Visualizing the Disabled Body: The Classical Nude and the Fragmented Torso 2400 HENRY LOUIS GATES JR. (b. 1950) 2421 Talking Black: Critical Signs of the Times 2424 EVE KOSOFSKY SEDGWICK (b. 1950) 2432 Between Men: English Literature and Male HomosociaI Desire From Introduction 2434 Epistemology of the Closet 2438 From Introduction: Axiomatic 2438 DICK HEBDIGE (b. 1951) 2445 Subculture: The Meaning of Style 2448 Chapter I. From Culture to Hegemony FRIEDRIcH SCHLEIERMACHER (f768 ..... 1834) 610 Hermeneutics 613 ' .. Outline of the 1819 Lectures 613 Introduction 613 Part Two. The Technical Interpretation 623'· GEORG WILHELM FRIEDRICH HEGEL (177oi-I831) Phenomenology of Spirit 630 [The Master-Slave Dialectic] 630 Lectures on Fine Art 636 From Introduction 636Leitch, Vincent B., 2010. The Norton anthology of theory and criticism. New York: W.W. Norton and Company. Here are The Norton anthology of theory and criticism citations for five popular citation styles: MLA, APA, Chicago (notes-bibliography), Chicago (author-date), and Harvard style. Citation Style Leitch, V. B. The Norton Anthology of Theory and Criticism; W.W. Norton and Company: New York, 2010. Marxism (Althusser, Foucault; text as social context; art as fugitive, counter-ideology & heteroglossia)