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Lady Macbeth sees "remorse" as one of the names for feminine compassion—of which she must rid herself. Thus she must be "unsexed." This does not mean, however, that in rejecting her femininity she becomes manly. Instead, she becomes a woman devoid of the sexual characteristics and sentimentality that make her a woman. She becomes entirely unnatural and inhuman. Like the supernatural Weird Sisters with their beards, Lady Macbeth becomes something that does not fit into the natural world. In this passage where the wild emotions of Macbeth's mind are struggling for utterance, one metaphor crowds upon and displaces another. "Pity" is first personified as a newborn infant, naked and miserable, such as would appeal to the sympathy of all men; then this infant bestrides the wind for a charger to carry the news of Duncan's murder throughout the world. This figure of a messenger seated upon the wind calls up a confused memory of a verse of the Bible (Psalms, xviii. 10.) to Macbeth's mind, and his imagination embodies pity as an angel riding on the wind." Thomas Marc Parrott. Read on... The most famous speech in this play full of famous lines and speeches is Macbeth's soliloquy that begins " Tomorrow, and tomorrow, and tomorrow/Creeps in this petty pace from day to day/To the last syllable of recorded time . . . ." These lines express Macbeth's utter hopelessness near the tragedy's end about not only his life, but life in general. Treachery and Betrayal: The play also displays betrayal and treachery. At first, Macbeth was a trustworthy general of King Duncan. He is corrupted by the witches and chooses to be treacherous and betrays King Duncan, who comes to Macbeth’s home as a guest. He kills the king and his friend, Banquo, as he gives in to the selfish desires. He betrays the family of Macduff too. Macbeth is also betrayed by his general, Lennox.
HowheispresentedintheplayisJacobeanpropagandaandshowstheDivineRightofKings.He’sshownasinnocentandpure,inherentlythebestking,divinelyappointed.James1stbelievedintheDivineRightofKingssowould’veapproved. When Malcom reveals that he was taken from his mother’s womb – or, in other words, delivered via Cesarean section – Macbeth finally understands that the Witches’ prophecies meant his downfall, not his elevation. Up to the end of the play, Macbeth has confused the fact that the Witches’ predictions always came true with the idea that their predictions were helpful to him. Everything the Witches predict does come true, but everything that happens ends up hurting Macbeth as well. He does become Thane of Cawdor, but that feeds his ambition so he kills Duncan. He becomes the king, but as a result kills many people, including his best friend. WhenhedoeskillDuncanhefeelsguilty. ‘Macbethhathmurderedsleep’.Highlightshowhe’ssofullofguilthemayneversleepagain.Shakespeareuses3rdpersonasifMacbethdoesn’tevenrecognisehimselfanymore.
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LikeDuncan,Banquoistoogoodtocomprehendevil.Hesays ‘Theairisdelicate’whenhearrivesatMacbeth’scastle. Presenter: Well, no one saw that coming. She’s decided she doesn’t need an actual ghost in that position at all. She’s made the audience think Macbeth’s totally lost his marbles. Oh, but what’s this?
On a heath in Scotland, three witches, the Weird Sisters, wait to meet Macbeth amidst thunder and lightning. Their conversation is filled with paradox and equivocation: they say that they will meet Macbeth "when the battle's lost and won" and when "fair is foul and foul is fair" (10). Act 1, Scene 2 Thenighthasbeenunruly,theEarthwasfeverish’-saidafterDuncan’sdeath.Personificationandpatheticfallacy.Believedatthetimethatthehealthofthekingwasinextricablylinkedtothehealthofthenation.Duncan’sdeathhadupsetthenaturalbalanceofthings. Similarly, much of the play is also concerned with the relation between contrasting inner and outer worlds. Beginning with the equivocal prophecies of the Weird Sisters, appearances seldom align with reality. Lady Macbeth, for example, tells her husband to "look like the innocent flower, / but be the serpent under’t" (63-64). Macbeth appears to be a loyal Thane, but secretly plans revenge. Lady Macbeth appears to be a gentle woman but vows to be "unsexed" and swears on committing bloody deeds. Macbeth is also a play about the inner world of human psychology, as will be illustrated in later acts through nightmares and guilt-ridden hallucinations. Such contrast between "being" and "seeming" serves as another illustration of equivocation. The Macbeths and The Corruption of Nature Herecognisesthatthey’re ‘instrumentsofdarkness’ .ThiscreatesahugecontrasttoMacbethwhoiseasilycorruptedand ‘raptwithal’ .Thingshasbegunmakestrongthemselvesbyill’ .Essentiallyhe’ssayingthatifyoudidabadthing,continuebecausethatmakesyoustronger.Showshiswarpedmind.Moralcompassgone.
Lady Macbeth: She is villainous by nature with immense strength. She mostly influences Macbeth’s decisions without worrying about the consequence. She also shows extraordinary femininity when she pushes Macbeth to kill anyone who comes in his ways of becoming the king. She even takes part in the killing of King Duncan. Eventually, she feels immense guilt for King Duncan’s death and becomes insane. She begins to sleepwalk and hallucinates bloodstains on her hand. When she could not bear the guilt, she commits suicide just before Macbeth is killed. These three examples show sensory images, showing the use of the sense of sight and sense of hearing.Macbeth worries though. The Witches also said that Banquo’s sons will become kings, so he sends some baddies to murder Banquo and his son. But the kid escapes. Macbeth sees Banquo’s ghost. Macbeth is spooked so he sees the Witches: they say nobody Makesureyouranalysislinksveryclearlytothequestion.Linktocontextifrelevantbutlanguageistheprimaryfocus.
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